<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://humanitieshub.sdsu.edu/omeka/items/show/1438">
    <dcterms:title><![CDATA[A History of Greek Literature]]></dcterms:title>
    <dcterms:description><![CDATA[Includes information on Aeschylus, Alexandria, Aristophanes, Aristotle, Euripides, Herodotus, Sophocles, etc.]]></dcterms:description>
    <dcterms:creator><![CDATA[Moses Hadas]]></dcterms:creator>
    <dcterms:publisher><![CDATA[New York, Columbia University Press]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://humanitieshub.sdsu.edu/omeka/items/show/936">
    <dcterms:title><![CDATA[A History of Pythagoreanism]]></dcterms:title>
    <dcterms:subject><![CDATA[Pythagoras and Pythagorean school]]></dcterms:subject>
    <dcterms:description><![CDATA[This is a comprehensive, authoritative and innovative account of Pythagoras and Pythagoreanism, one of the most enigmatic and influential philosophies in the West. In twenty-one chapters covering a timespan from the sixth century BC to the seventeenth century AD, leading scholars construct a number of different images of Pythagoras and his community, assessing current scholarship and offering new answers to central problems. Chapters are devoted to the early Pythagoreans, and the full breadth of Pythagorean thought is explored including politics, religion, music theory, science, mathematics and magic. Separate chapters consider Pythagoreanism in Plato, Aristotle, the Peripatetics and the later Academic tradition, while others describe Pythagoreanism in the historical tradition, in Rome and in the pseudo-Pythagorean writings. The three great lives of Pythagoras by Diogenes Laertius, Porphyry and Iamblichus are also discussed in detail, as is the significance of Pythagoras for the Middle Ages and Renaissance. -- from back cover.]]></dcterms:description>
    <dcterms:publisher><![CDATA[Cambridge, United Kingdom ; New York : Cambridge University Press]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[edited by Carl A. Huffman]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://humanitieshub.sdsu.edu/omeka/items/show/1442">
    <dcterms:title><![CDATA[A short Introduction to Ancient Greek Theater]]></dcterms:title>
    <dcterms:creator><![CDATA[Graham Ley]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Chicago : University of Chicago Press]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://humanitieshub.sdsu.edu/omeka/items/show/817">
    <dcterms:title><![CDATA[a Study of the Doctrine of Metempsychosis in Greece: from Pythagoras to Plato]]></dcterms:title>
    <dcterms:subject><![CDATA[Eschatology<br />
Spirits<br />
Animism<br />
Eschatology, Jewish]]></dcterms:subject>
    <dcterms:description><![CDATA[&quot;A dissertation presented to the faculty of Princeton University in candidacy for the degree of doctor of philosophy&quot; ]]></dcterms:description>
    <dcterms:creator><![CDATA[Herbert Long]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Princeton : New Jersey]]></dcterms:publisher>
    <dcterms:created><![CDATA[1948]]></dcterms:created>
</rdf:Description><rdf:Description rdf:about="https://humanitieshub.sdsu.edu/omeka/items/show/1665">
    <dcterms:title><![CDATA[Alexandria in Late Antiquity: Topography and Social Conflict]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;Second only to Rome in the ancient world, Alexandria was home to many of late antiquity&#039;s most brilliant writers, philosophers, and theologians - among them, Philo, Origen, Arius, Athanasius, Hypatia, Cyril, and John Philoponus. Now, in Alexandria in Late Antiquity, Christopher Haas offers the first book to place these figures within the physical and social context of Alexandria&#039;s bustling urban milieu.&quot;--Jacket.]]></dcterms:description>
    <dcterms:creator><![CDATA[Christopher Haas]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Baltimore : Johns Hopkins University Press]]></dcterms:publisher>
</rdf:Description><rdf:Description rdf:about="https://humanitieshub.sdsu.edu/omeka/items/show/1627">
    <dcterms:title><![CDATA[Alexandria: the Site and the History]]></dcterms:title>
    <dcterms:description><![CDATA[Alexandria. Bride of Cities. Mistress of the Sea. Fabled city of Alexander the Great. In this remarkable volume, expert scholars and a master photographer capture a lasting impression of the capital and seaport founded by Alexander on Egypt&#039;s Mediterranean shore three centuries before the birth of Christ. Morsi Saad El-Din&#039;s essay is an homage to Alexandria as well as an overview of the city and the book. He provides pithy, colloquial observations and a wealth of little-known facts and anecdotes, and he undertakes to provide an answer to the elusive whereabouts of Alexander&#039;s tomb. Gamal Mokhtar traces the origins of relations between Egypt and Greece that provide the context for Alexander&#039;s founding of his immortal city. He peels back little-known layers of cultural, historical, political and economic circumstance from which the city evolved.<br />
<br />
Soon after its founding, Alexander moved the capital of Egypt from Memphis to Alexandria. Mostafa El-Abbadi provides a rare description of the ancient city plan and illuminates the dynamics that shaped the city for the next millennium. Under the patronage of Alexander&#039;s successors, the Ptolemies, Alexandria became a center of world scholarship and trade. Like the Great Lighthouse, the Great Library of Alexandria was one of the most spectacular the world has ever seen. The library was the largest in antiquity and sparked a renaissance of human culture. El-Abbadi traces the physicality, growth, contributions and fate of the Great Library and its research center, the Mouseion. He tackles the question of its destruction and offers evidence that it was Christian fanatics who ransacked and burned it in 391 A.D. rather than the Arabs, later, as commonly accepted.<br />
<br />
Abdel/Azim Ramadan traces Alexandria&#039;s growth and evolution during the last 300 years, from the Moody French Expedition to the revival under Mohammed Ali to the modern age. He shows us a city rife with intrigue - one that is an ethnic melting pot and a crucible of cultural and political ferment. Araldo De Luca&#039;s photographs transform this volume, which was awarded the Plate of the President of the Republic of Italy in the Lunigiana-Silvestri Competition, into a spectacular portfolio of Alexandrian, Ptolemaic and Graeco-Roman art and artifacts. Full-color plates reveal, in exquisite detail and astonishing clarity, every nuance of the breathtaking sculpture, monuments, pottery, frescoes, mosaics and coins that reflect Alexandria&#039;s immortality.]]></dcterms:description>
    <dcterms:tableOfContents><![CDATA[Introduction / Morsi Saad El-Din -- Pre-Alexandria : keys to the rise of an immortal city / Gamal Mokhtar -- Alexandria : thousand-year capital of Egypt ; The Great Library and Mouseion : intellectual center of the world / Mostafa El-Abbadi -- Alexandria : French expedition to the modern age / Abdel/Azim Ramadan.]]></dcterms:tableOfContents>
    <dcterms:contributor><![CDATA[Essays by Morsi Saad El-Din [and others] ; edited by Gareth L. Steen ; photographs by Araldo De Luca]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://humanitieshub.sdsu.edu/omeka/items/show/954">
    <dcterms:title><![CDATA[Alfarabi&#039;s Philosophy of Plato and Aristotle ]]></dcterms:title>
    <dcterms:subject><![CDATA[Plato<br />
Aristotle<br />
Happiness<br />
Philosophy, Ancient]]></dcterms:subject>
    <dcterms:tableOfContents><![CDATA[pt. 1. The attainment of happiness -- pt. 2. The philosophy of Plato, its parts, the ranks of order of its parts, from the beginning to the end -- pt. 3. The philosophy of Aristotle, the parts of his philosophy, the ranks of order of its parts, the position from which he stated and the one he reached.]]></dcterms:tableOfContents>
    <dcterms:creator><![CDATA[Alfarabi]]></dcterms:creator>
    <dcterms:contributor><![CDATA[translated, with an introduction by Muhsin Mahdi]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://humanitieshub.sdsu.edu/omeka/items/show/1141">
    <dcterms:title><![CDATA[An intermediate Greek-English lexicon: founded upon the Seventh edition of Liddell and Scott&#039;s Greek-English lexicon.]]></dcterms:title>
    <dcterms:subject><![CDATA[Greek language -- Dictionaries -- English]]></dcterms:subject>
    <dcterms:publisher><![CDATA[New York : Harper &amp; Brothers]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[Liddell, Henry George, 1811-1898, editor. <br />
Scott, Robert, 1811-1887, editor. ]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://humanitieshub.sdsu.edu/omeka/items/show/1133">
    <dcterms:title><![CDATA[Ancient Greek Sculpture of South Italy and Sicily]]></dcterms:title>
    <dcterms:subject><![CDATA[Sculpture, Greek<br />
Sculpture -- Italy, Southern<br />
Sculpture -- Italy -- Sicily<br />
]]></dcterms:subject>
    <dcterms:creator><![CDATA[Ernst Langlotz]]></dcterms:creator>
    <dcterms:publisher><![CDATA[New York, H.N. Abrams]]></dcterms:publisher>
    <dcterms:contributor><![CDATA[Photos. by Max Hirmer. [Translated by Audrey Hicks]]]></dcterms:contributor>
</rdf:Description><rdf:Description rdf:about="https://humanitieshub.sdsu.edu/omeka/items/show/1513">
    <dcterms:title><![CDATA[Archaic and Classical Greek Art]]></dcterms:title>
    <dcterms:description><![CDATA[&quot;This new account of what happened in Greece from c.800 to 323 BC shows how sculptors and painters responded to the challenges of the extremely formidable and ambitious world in which the Greek city-state was created and developed. Ranging widely over the fields of sculpture, vase painting, and the minor arts, this book provides a stimulating introduction to the art of archaic and classical Greece.&quot; &quot;By looking closely at the context in which and for which sculptures and paintings were produced, as well as religion and myth, politics and the economy, Robin Osborne demonstrates how artistic developments were both a product of, and contributed to, the intensely competitive life of the Greek city.&quot;--Jacket.]]></dcterms:description>
    <dcterms:creator><![CDATA[Robin Osborne]]></dcterms:creator>
    <dcterms:publisher><![CDATA[Oxford ; New York : Oxford University Press]]></dcterms:publisher>
    <dcterms:relation><![CDATA[Series : Oxford history of art.]]></dcterms:relation>
</rdf:Description></rdf:RDF>
